ACT ONE
SCENE A
FADE IN
INT. CLASSROOM - DAY
MILEY IS SLEEPING IN CLASS, SILENTLY SNORING. LILLY WHO'S
SITTING BEHIND HER TRIES TO WAKE HER BY WHISPERING HER NAME
AND KICKING HER SEAT.
LILLY
(whispering)
Miley.....
MILEY DOESN'T REACT, SHE CONTINUES TO SLEEP. MR. CORELLI
NOTICES LILLY AND SEES MILEY SLEEPING, HE WALKS UP TO HER
DESK.
MR. CORELLI
Miss Stewart......
MILEY DOESN'T REACT.
MR. CORELLI (CONT'D)
(shouting)
Wake up!
MILEY
Five!
MR. CORELLI
Five what?
MILEY
Eh.... Nothing.
MILEY GIVES MR. CORELLI A BIG SMILE.
MR. CORELLI
Now stay away.
MILEY
Of course.
MILEY TURNS AROUND TO FACE LILLY.
MILEY (CONT'D)
Why didn't you wake me?
LILLY
Have you ever tried to wake yourself?
MILEY
You should have at least tried.
LILLY GIVES MILEY A BLANK STARE.
INT. SCHOOL HALLWAY
MILEY AND LILLY GET OUT OF THE CLASSROOM AND STEP INTO THE
HALLWAY.
LILLY
What's going on, this is the third
time that you fell asleep in class
this month?
MILEY
I don't know, I just haven't been
sleeping well.
OLIVER WALKS UP TO THEM HOLDING A NEWSPAPER.
OLIVER
Have you guys read this?
LILLY LOOKS AT MILEY SURPRISED.
LILLY
Oliver reading a newspaper?
MILEY
Yeah, you're not getting sick are you?
MILEY HOLDS HER HAND TO OLIVERS FOREHEAD, HE BRUSHES IT AWAY.
OLIVER
I'm not sick. You guys should pick up
a newspaper once in a while too.
MILEY
Picking it up isn't a problem, it's
more the reading part that gets
boring.
LILLY
Except for the comics.
MILEY
Obviously.
OLIVER
Would you two pay attention for just
one second?
MILEY AND EMILY CROSS THEIR ARMS.
LILLY
Fine.
OLIVER
There's a serial killer out there.
MILEY
A serial killer out in Los Angeles?
Who would have thought something like
that would be possible in such a
peaceful town.
OLIVER
Well this one is active right here in
Malibu.
He sneaks up to people from behind and
slits their throats and leaves them to
bleed to death.
LILLY
Is he attacking teenagers?
OLIVER
No, he attacks in the middle of the
night. Not that many teenagers around.
LILLY
What are you worried about then?
MILEY
Yeah Oliver, don't worry.
THEY START TO WALK DOWN THE HALL, MILEY PUTS HER ARM AROUND
OLIVER.
MILEY (CONT'D)
Just make sure that you never turn
your back on anyone, you'll be just
fine.
LILLY TAKES OUT A PEN AND WALKS UP BEHIND OLIVER, SHE BRUSHES
THE COLD PEN ACROSS OLIVER'S NECK, HE SHRIEKS. MILEY AND
LILLY LAUGH.
MILEY (CONT'D)
That and stay home at night like a
good little boy.
CUT TO:
ACT ONE
SCENE B
INT. STEWART HOUSE - DAY
MILEY AND LILLY WALK IN THROUGH THE DOOR, MILEY THROWS HER
BOOKBAG ON THE COUCH. ROBBIE RAY IS IN THE KITCHEN COOKING.
MILEY
Hey dad, what's cookin'?
ROBBIE RAY DOESN'T RESPOND.
MILEY (CONT'D)
Dad?
MILEY WALKS UP TO ROBBIE RAY AND WAVES HER HANDS IN FRONT OF
HIM.
MILEY (CONT'D)
Hello.
ROBBIE
Mr. Carelli called today.
MILEY LOOKS AT LILLY.
LILLY
Bye
MILEY
Sweet nibblets.
LILLY LEAVES THE HOUSE, MILEY TURNS BACK TO ROBBIE RAY WITH A
BIG GRIN.
MILEY (CONT'D)
Hello.
ROBBIE
He told me that you fell asleep in
class again.
MILEY
Well.....
ROBBIE
We had this discussion before, you
can't stay up on the internet all
night.
MILEY
But I'm not.
ROBBIE
Why do you keep falling asleep in
class then?
ROBBIE RAY GOES TO A CUPBOARD TO GET SOMETHING, WHILE HE DOES
THAT MILEY TAKES THE SPOON AND STARTS TO STIR IN THE POT.
MILEY
I just haven't been sleeping well.
ROBBIE
Well, until you're sleeping alright
again your computer leaves your room
after 9 PM.
MILEY
That's not fair.
ROBBIE
So I've never caught you chatting with
Lilly at 1 AM then.
MILEY
Her mother stopped her doing that.
ROBBIE
And now I'm stopping you doing it.
MILEY FAKE PUNCHES ROBBIE RAY ON THE SHOULDER.
MILEY
You big woman, you're turning into one
more and more every day. Just because
Lilly's mom does it, it doesn't mean
you have to do it.
ROBBIE
Still I am doing it.
ROBBIE (CONT'D)
No but dad, you can give me your
computer at 9 PM tonight.
MILEY LEAVES THE ROOM VISIBLY UPSET.
END OF ACT ONE
CUT TO:
ACT TWO
SCENE C
INT. MILEY'S BEDROOM
MILEY IS IN BED WORKING ON HER LAPTOP AS ROBBIE RAY ENTERS
HER BEDROOM.
ROBBIE
It's 9 PM bud, you know what means.
MILEY SHOWS ROBBIE RAY THE SCREEN.
MILEY
See dad, I was doing homework, not
chatting.
ROBBIE
Doesn't matter, give me the laptop.
MILEY LETS OUT AN ANNOYED GRUNT, CLOSES THE LAPTOP AND GIVES
IT TO ROBBIE RAY.
ROBBIE (CONT'D)
Now go to sleep, if you sleep at night
you won't fall asleep in class.
MILEY TURNS OF THE LIGHT AND COVERS HERSELF BEFORE ROBBIE RAY
IS OUT OF THE ROOM.
ROBBIE (CONT'D)
Good night bud.
MILEY DOESN'T SAY A WORD AND JUST LAYS THERE; ROBBIE RAY
EXITS THE ROOM AND SHUTS THE DOOR.
AFTER HE HAS LEFT MILEY GETS OUT OF BED BUT DOESN'T TURN ON
THE LIGHT, SHE HEADS FOR HER HANNAH CLOSET AND ENTERS.
INT. HANNAH CLOSET
MILEY TURNS ON THE LIGHT IN THE CLOSET AND HEADS FOR A CORNER
IN HER CLOSET, SHE TAKES OUT A BOX.
MILEY
Get me in trouble will you Mr.
Corelli, we'll just see how much
trouble you are in.
MILEY OPENS THE BOX, SHE TAKES OUT A REDHEAD WIG WITH A TIGHT
PONYTAIL AND CLOTHES. SHE PUTS ON A BLACK CATSUIT AND PUTS ON
THE RED WIG, SHE COMPLETES IT ALL WITH BLUE LIPSTICK AND VERY
DARK EYELINER. SHE PUTS ON BLACK LEATHER GLOVES AND REACHES
INTO THE BOX AND TAKES OUT A DIVING KNIFE, SHE TAKES IT OUT
OF ITS HOLSTER AND CHECKS THE BLADE. SHE PUTS IT BACK AND
PUTS THE HOLSTER ON HER BELT.
MILEY (CONT'D)
Here we go.
SHE TURNS OFF THE LIGHT AND EXITS HER CLOSET.
CUT TO:
ACT TWO
SCENE D
EXT. DONUT SHOP - NIGHT
MR. CORELLI COMES OUT OF THE DONUT SHOP HOLDING A BOX OF
DONUTS, HE GETS TO HIS CAR AND PUTS THE DONUTS ON THE ROOF TO
GET HIS KEYS TO OPEN THE CAR DOOR. HE HEARS SOMETHING COMING
OUT OF THE ALLEY. HE TURNS AROUND, FRIGHTENED.
MR. CORELLI
Is there anyone there?
HE HEARS NOTHING AND TURNS BACK TO HIS CAR.
MR. CORELLI (CONT'D)
I'm the one who wanted donuts so I
shouldn't be chickening out here.
HE DROPS HIS KEYS.
MR. CORELLI (CONT'D)
Shoot.
AS HE PICKS UP THE KEYS MILEY IS STANDING BEHIND HIM, LIKE A
SHADOW OVER HIM, HE DOESN'T NOTICE HER. AS HE GETS UP MILEY
TAKES OUT THE DIVING KNIFE AND SLITS HIS THROAT FROM THE
BACK, HE GRABS ON TO HIS THROAT BUT GOES DOWN DROWNING IN HIS
OWN BLOOD.
MILEY
What do we say to the girl who you got
her computer taken away? Unjustly I
might add.
MR. CORELLI CAN'T RESPOND, NOTHING MORE THAN A GARGLE COMES
FROM HIS MOUTH.
MILEY (CONT'D)
Yeah, didn't think so. You sound like
my uncle earl when he's eating pudding
too fast.
MR. CORELLI LOOSES CONSCIOUSNESS, HE'S DEAD.
MILEY (CONT'D)
Bye bye.
MILEY WIPES OFF THE BLADE ON MR. CORELLI'S CLOTHES, SHE PUTS
IT BACK IN ITS HOLSTER AND DISAPPEARS INTO THE NIGHT.
CUT TO:
ACT TWO
SCENE E
INT. STEWART HOUSE - DAY
LILLY AND MILEY ARE ON THE COUCH WITH THE TV ON; A NEWS
REPORT COMES UP.
REPORTER (O.S.)
The Malibu Slicer has struck again,
last night high school teacher Frances
Corelli was found dead outside a donut
shop.
LILLY
What?
A TEAR COMES TO LILLY'S EYES, SHE JUST DOESN'T KNOW WHAT TO
SAY. MILEY SITS UNMOVED NEXT TO HER, SHE GETS UP AND WALKS
INTO THE KITCHEN.
MILEY
Do you want some popcorn?
LILLY
How can you even think about eating
right now?
MILEY
What? I'm hungry and it's only Mr.
Corelli.
LILLY SAYS NOTHING AND CONTINUES TO WATCH THE NEWS REPORT.
WELL MILEY GETS TO A CUPBOARD AND TAKES SOME POPCORN OUT.
REPORTER (O.S.)
For the first time ever security
cameras managed to catch a glimpse of
the slicer.
MILEY DROPS THE POPCORN ON THE FLOOR AND TURNS AROUND
NERVOUSLY?
MILEY
What did they say?
LILLY
They have a picture of the slicer,
come quickly.
MILEY RUSHES OVER TO THE TV. THEY'RE SHOWN A BLOWN UP PICTURE
OF MILEY IN HER RED WIG AND HER BLACK CATSUIT. LILLY JUST
STARES AT THE PICTURE WONDERING.
REPORTER (O.S.)
Where police were suspecting a man it
actually turns out a woman is the
Malibu slicer. Details of the crime
will not be made public because of the
current investigation. If you have any
information about who this person
might be please contact your local
police.
LILLY GRABS THE REMOTE AND PAUSES THE PICTURE ON THE TV AND
KEEPS STARING IT. MILEY SLOWLY MOVES BACK TO THE KITCHEN TO
CONTINUE THE POPCORN MAKING
LILLY
Hey Miley, what happened to those
boots I gave your for Christmas?
MILEY
What boots?
MILEY TAKES A KNIFE OUT OF THE KNIFE BLOCK ON THE COUNTER AND
HIDES IT BEHIND HER BACK AS SHE SLOWLY MOVES BACK TO LILLY.
LILLY TURNS TOWARDS MILEY.
LILLY
The black boots, the ones you wanted
so badly. I haven't seen you wearing
them since then really.
MILEY GESTURES WITH HER LEFT HAND WHILE HOLDING THE RIGHT
HAND WITH THE KNIFE BEHIND HER BACK.
MILEY
Oh those boots, I've worn them. Guess
you just didn't notice.
LILLY
I'm quite sure you haven't worn them
since.
MILEY
Don't be silly.
LILLY
They're kind of similar to those don't
you think?
LILLY POINTS AT THE TV.
MILEY
Not really. It's a bad quality image
from a security camera with a woman
who's wearing boots that might be
similar to mine anyway. Hard to tell
anything.
LILLY
Who would want to kill Mr. Corelli
anyway, I don't know why anyone would
kill him.
MILEY
(mumbling)
Someone who he unfairly gets into
trouble.
LILLY
What did you say?
MILEY
(grinning)
Nothing.
LILLY
So why would someone do it......
MILEY
Maybe someone felt he was giving her
too much homework.
LILLY
That's not a reason to kill someone.
MILEY
It's a serial killer, they don't
always need a motive.
LILLY
I think there's only one student he
had trouble with recently.
MILEY JUST STAYS QUIET; LILLY TURNS OFF THE TV.
LILLY (CONT'D)
Where were you last night?
MILEY
(stuttering)
In bed, where else?
LILLY
At the donut shop?
MILEY STAYS QUIET FOR A SECOND THINKING. SHE LAUGHS AND AS
SHE MAKES A WAVING AWAY GESTURE SHE REVEALS THE KNIFE.
MILEY
Where did you get that silly idea?
LILLY JUMPS UP SCARED AND MOVES BACK, MILEY SEES THAT SHE
REVEALED THE KNIFE AND QUICKLY HIDES IT AGAIN.
LILLY
It is you!
MILEY SMIRKS EMBARRASSED.
LILLY (CONT'D)
(silently shouting)
Were you going to kill me too?
MILEY WALKS BACK TO THE COUNTER AND THROWS THE KNIFE ON THE
COUNTER.
MILEY
No; would have been a bit hard to hide
that one.
MILEY AND LILLY JUST STARE EACH OTHER, NOT SAYING ANYTHING.
ROBBIE RAY COMES THROUGH THE BACK DOOR.
ROBBIE
Hey there Lilly, how ya'll doing
today?
MILEY LOOKS AT LILLY, URGING HER NOT TO SAY ANYTHING.
LILLY
Oh you know, nothing major. Just
hanging out with Miley.
MILEY AND LILLY LAUGH.
ROBBIE
If you two are up to something I don't
even want to know. It's Saturday and
that's a day off for me as well.
MILEY
Oh don't worry, we're not up to
anything. We'll leave you alone now;
we'll be in my room.
MILEY WALKS UP THE STAIRS TO GO TO HER ROOM BUT LILLY
HESITATES. MILEY STOPS AND LOOKS TOWARDS LILLY.
MILEY (CONT'D)
Are you coming?
LILLY
(hesitant)
Sure....
LILLY FOLLOWS MILEY UP THE STAIRS.
CUT TO:
ACT TWO
SCENE F
INT. HANNAH CLOSET
LILLY IS SITTING DOWN BUT SHE TWITCHES NERVOUSLY, MILEY IS
WALKING AROUND. SHE HEADS TO THE BACK OF THE CLOSET AND TAKES
OUT THE BOX. SHE PUTS ON THE LEATHER GLOVES, TAKES OUT THE
DIVING KNIFE AND TAKES IT OUT OF ITS HOLSTER.
LILLY
(nervously)
Why?
MILEY
Why what?
LILLY
What do you think?
MILEY
Oh this?
LILLY
Why would a normal girl like Miley
Stewart, or Hannah Montana whatever
the case may be, go around town
killing people?
MILEY
Girl? You heard the news reporter, I'm
a woman.
AS MILEY SPEAKS SHE MOVES AROUND THE KNIFE.
MILEY (CONT'D)
You have no idea what it feels like,
the sensation, the adrenaline rush.
LILLY
Could you please put the knife down,
I'm nervous enough as it is.
MILEY MOVES BEHIND LILLY AND PUTS THE KNIFE TO HER NECK.
MILEY
(grinning evilly)
Why are you scared?
LILLY
Eeeep!
MILEY
Don't worry, I don't want get blood
all over my closet.
LILLY
So you would kill me if we weren't
here?
MILEY TAKES THE KNIFE OFF LILLY'S THROAT.
MILEY
Depends on whether you can keep your
mouth shut or not.
LILLY
Just tell me why? You're not a violent
person. At least I didn't used to
think so.
MILEY
Violent? Where did you get that silly
idea?
LILLY
You slit people's throats open!!!!
MILEY
So?
LILLY
That's just wrong?
MILEY
Ya think?
LILLY STANDS UP.
LILLY
Well yeah.
MILEY
Depends on how you look at it.
LILLY WALKS AROUND THE ROOM NOW KNOWING WHAT SHE SHOULD SAY.
LILLY
How, why, when did this start?
MILEY
Well, back in Tennessee Uncle Earl
thought me how to butcher chickens
once.
LILLY
Who would teach a little girl to
butcher chickens?
MILEY
You've met Uncle Earl haven't you?
Anyway, that feeling you get when
slicing the throat of that chicken the
first time, that power you have over
life, it's just amazing. It's as if
the life force of the chicken flows
into you. Only when we moved here I
couldn't exactly do it anymore.
LILLY
The "Malibu Slicer" has only been
active for a couple of weeks!!
MILEY
Hannah kept me satisfied for a while
but it just didn't quite do it.
LILLY
So why didn't you butcher a couple of
chickens?
MILEY
Chickens in Malibu?
LILLY
Doesn't mean you can switch to humans.
MILEY WALKS AND GETS THE CATSUIT OUT AND WALKS BACK TO LILLY.
MILEY
Maybe not but that's not important
right now.
LILLY
If it isn't what is?
MILEY
Getting you to keep your mouth shut
and there is only one way to make sure
of that. Besides shutting you up
forever that is.
LILLY
Eeep!
MILEY PUSHES THE CATSUIT AND THE KNIFE INTO LILLY'S HANDS.
MILEY
You're going to do it too.
LILLY
What?
LILLY PUSHES THE THINGS BACK INTO MILEY'S HANDS.
LILLY (CONT'D)
I most certainly will not!
MILEY
You kind of have to.
LILLY
Mrs. Serial killer of the decade says
what?
MILEY PUTS THE CATSUIT AND KNIFE BACK INTO THE BOX AND HOLDS
UP HER HANDS, SHOWING HER LEATHER GLOVES.
MILEY
I don't have any fingerprints on that
knife, you do.
LILLY
But....
MILEY
No buts, either you off someone so
you'll shut up about it forever or
that knife will mysteriously find its
way to the police.
LILLY
It's not like the police wouldn't come
after you.
MILEY
And they would believe you why? Do you
really think anyone would believe that
a couple of sixteen year old girls did
it?
LILLY SIGHS AND SITS DOWN, SHE STARTS TO CRY AND DOESN'T KNOW
WHAT TO DO. MILEY KNEELS DOWN NEXT TO HER.
LILLY
I can't....
MILEY
Come come now, that's what everyone
thinks.
MILEY PUTS HER ARM AROUND LILLY.
MILEY (CONT'D)
I'll admit it the first time isn't the
easiest thing but you'll get over it.
LILLY
The first time? You don't expect me
to..
LILLY HESITATES IN THE MIDDLE OF HER SENTENCE.
MILEY
No you don't have to do it again. In
fact I'll make you a promise, if you
do this I will stop as well.
LILLY
And what would make me believe that
you'll stop now?
MILEY
My word, that's usually good enough
for you.
LILLY
That was before I knew you were
murderer!
MILEY
Oh come on Lilly, it's not that bad.
It's not like we're going out
butchering puppies.
LILLY
That makes it alright?
MILEY
You're doing it anyway, otherwise you
have a bit of a problem.
LILLY
Who do you think I should kill then?
MILEY
I have an idea about that.
CUT TO:
ACT TWO
SCENE G
EXT. RICO'S SHACK - DAY
MILEY AND LILLY ARE STANDING ON THE BEACH, LILLY IS STANDING
PONDERING, NOT SURE WHAT MILEY WANTS.
LILLY
So what are we doing here?
MILEY DOESN'T SAY A WORD, SHE JUST NODS TOWARDS RICO'S SHACK.
LILLY LOOKS INTO THAT DIRECTION. THEY SEE A LITTLE GIRL
BUYING ICE CREAM.
LILLY (CONT'D)
You want me to kill a little girl?
MILEY GIVES LILLY AN ANGRY LOOK.
LILLY (CONT'D)
What? You're the heartless killer
here.
MILEY
I meant Rico! And I do have a heart,
my morals are just a bit different.
LILLY LOOKS AND THINKS.
LILLY
Are you nuts?
MILEY
Who would you like to do then?
THEY WALK TOWARDS THE SHACK.
LILLY
Aren't you worried about his parents?
They're loaded, who knows what they
would do to get his killer.
MILEY
Oh please, no one can love that little
creep.
THEY WALK UP TO THE COUNTER AS THE LITTLE GIRL LEAVES.
RICO
Hey there ladies, did you come to get
a little bit of Rrrrrrrico?
MILEY
Just get us two waters.
RICO NOTICES THAT LILLY IS RATHER NERVOUS.
RICO
Why so nervous tuts? It's not like
you've never met the Rico before,
there is no reason to be nervous.
LILLY
I...
RICO HANDS THEM THE WATERS.
RICO
Come on baby, get it over with. Then
there won't be anything to be nervous
about.
MILEY AND LILLY WALK AWAY.
LILLY
I think I can actually do him.
CUT TO:
ACT TWO
SCENE H
EXT. RICO'S SHACK
MILEY AND LILLY ARE BOTH WEARING IDENTICAL OUTFIT, THE MALIBU
SLICER OUTFIT. THEY HIDE BEHIND THE BUSHES.
LILLY
So how do we do this.
MILEY
(whispering)
Would you be a little more quiet? Why
do you think we're wearing black here?
LILLY
Because it's stylish?
MILEY
It's called stealth, so be as quiet as
possible.
LILLY
I'm new at this so give me a break.
MILEY
So lets go over this one last time.
You get your knife.
LILLY PULLS A DIVING KNIFE OUT OF A HOLSTER ON HER BELT.
LILLY
Right.
MILEY
Not yet!
LILLY
Sorry.
SHE PUTS THE KNIFE BACK IN THE HOLSTER.
MILEY
Just sneak up behind him, as quietly
as possible. You can't allow him to
see you.
LILLY
We wouldn't want that, no.
MILEY
Then you put your arm around him and
just pull the knife across his throat
in one smooth motion. You have to make
sure to put enough pressure on it.
After that he'll just go down.
LILLY
What if it doesn't work?
MILEY
Then you're screwed.
LILLY
Right.
MILEY
There you go.
LILLY
Oh boy.
RICO GETS OUT OF THE SHACK AS HE CLOSES IT UP.
RICO
See you my money making love, daddy
will be back tomorrow.
LILLY SLOWLY SNEAKS UP BEHIND RICO, UNTIL SHE STEPS ON A
TWIG, AS IT CRACKS SHE QUICKLY HIDES BEHIND A TABLE.
RICO (CONT'D)
Is there anyone there?
AS RICO TURNS AROUND HE SEES NOTHING, MILEY IS OBSERVING FROM
THE BUSHES.
MILEY
Rookies....
RICO LOOKS AROUND FOR A BIT BUT DOESN'T SEE ANYTHING.
RICO
I guess not; besides no one can beat
Rrrrrrico the magnificent.
LILLY IS STILL HIDING BEHIND THE TABLE.
LILLY
Now he's getting it.
SHE SLOWLY GETS UP AND SNEAKS UP ON RICO AS HE CLOSES THE
SHACK. SHE IS RIGHT BEHIND HIM AND WITHOUT HESITATION SHE
PUTS HER ARM AROUND HIM AND SLICES.
LILLY (CONT'D)
Voila.
RICO TURNS AROUND HOLDING HIS THROAT, LOOKING STUNNED, HE
DOESN'T KNOW WHAT TO DO.
RICO
What?
LILLY
Miley! You said that would do the
trick.
MILEY COMES RUNNING UP.
MILEY
Could you shout my name any louder?
LILLY
You said he would go down!
MILEY
I also said you have to put pressure
on it.
RICO JUST STARES AT THEM AND SLOWLY MOVES AWAY. MILEY SPOTS
AND PULLS HIM CLOSER.
MILEY (CONT'D)
You're not going anywhere.
SHE GRABS HIM BUT AS HE STRUGGLES BLOOD IS SHOOTING
EVERYWHERE. MILEY PULLS OUT HER KNIFE AND FINISHES THE JOB;
RICO GOES DOWN.
MILEY (CONT'D)
That's how you do it.
LILLY TRIES TO WHIPE THE BLOOD OFF HER CLOTHES.
LILLY
It won't come off.
MILEY
Have you ever tried getting out blood
stains?
LILLY
My mother does my laundry.
MILEY
It shows.
LILLY
You're right though, that's one big
adrenaline rush.
MILEY
We're both retired now so don't get
used to it.
LILLY
I didn't say I would do it again.
MILEY
Good, one serial killer is enough. Now
lets get out of here!
CUT TO:
ACT TWO
SCENE I
EXT. RICO'S SHACK - DAY
MILEY AND LILLY ARE BOTH ON A TANNING BED, WEARING
SUNGLASSES, RELAXING IN THE SUN, DRINKING SMOOTHIES.
MILEY
See, it's now two weeks ago and no one
has any clue.
LILLY
It's not even in the news anymore.
MILEY
The Malibu slicer is history. It just
shows, sometimes you can get away with
murder.
LILLY
I guess so and who knew that Rico was
actually a halfway decent person.
MILEY
What do you mean? He was a little
demon.
LILLY
Well, he did leave your brother the
shack in his will.
MILEY
Only someone like Rico would have a
will at his age.
THEY LOOK TOWARDS THE SHACK AS IT NOW READS JACKSON'S SHACK.
LILLY
A happy ending for everyone.
MILEY
Almost everyone anyway.
END OF ACT TWO
THE END
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